Yeah, dude. You're like, practically Matthew McConaughey here.
[OH GOD... he doesn't need to embarrass himself any more than letting slip that he might have... once or twice... watched a few (a lot) of subtitled shitty American romance movies at some point in the past and he sure as hell NEVER CRIED over any of them, but here he is, in that weird rising action moment of life where he kind of feels crushed and can't really piece things together enough to figure out why those lame ass movies always kind of got to him.
And Ryuji's all smiles when Akira gets to ruffling his hair, and he wants to go down with a fight here, but that agility is way too good on his friend's half, and he's off already, delving down deeper into their proposed tunnel spelunking. Total freaking hit and run.
He doesn't let him get too far ahead, either, and it's hard to shake the feeling that he's always running after him, but he doesn't let that get to him either, and soon enough, he's at his side. Loyal, to a fault, puppyish in all his ridiculous mannerisms. He loves Akira a lot, too, in his own way. In an ineffable sort of way that's hard to give any form to. This is Ryuji, after all- he met Akira and accepted that he was going to die in Kamoshida's palace if it meant getting a total stranger to safety, and it's just continued outward that way. He doesn't really care what happens to him, but shit, there's caves to explore and when Akira flashes that little streak of provocative deviousness, he can't stop himself either. Ann will have to pick up after these rowdy boys and come claim her two idiots. That's how it's been, that's how it'll always be, right?]
WHOA. Hey. Wait up. [He clicks on the magic and now his footprints are illuminated by yellow marks on the ground.
FINALLY... something useful.]
Yeah? Yeah? Whatcha think? Too flashy? Nah, forget it, it's right up your alley. [And onward, deep into the abyss.]
Really? I was kind of hoping to be more of a Ryan Gosling.
[that response comes with a cheeky grin and a wink before Akira takes off. as ever, leave it to him to make sure that Ryuji isn't standing in the embarrassed cold by himself. who doesn't love an American subtitled romantic comedy from time to time!1]
[all that said, Akira doesn't let himself to pull too far ahead of Ryuji, either. instead, he slows to a leisurely walk to allow his best friend to close the distance between them when it looks like he might accidentally be leaving him behind. the yellow footprints practically glow in the darkness, and his expression lights up, both amused and impressed all in one]
Ooooh, clever, Ryuji. [does Joker even know what "too flashy" means? and anyway, at least this way they won't get lost] It's perfect. You're perfect.
[that. . . last part kind of comes out on automatic, pushed into the open by feelings that-- due to recent events-- have been drawn too close to the surface. he's quick to turn away afterwards, to clear his throat and gesture towards the tunnely abyss that lies ahead]
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[OH GOD... he doesn't need to embarrass himself any more than letting slip that he might have... once or twice... watched a few (a lot) of subtitled shitty American romance movies at some point in the past and he sure as hell NEVER CRIED over any of them, but here he is, in that weird rising action moment of life where he kind of feels crushed and can't really piece things together enough to figure out why those lame ass movies always kind of got to him.
And Ryuji's all smiles when Akira gets to ruffling his hair, and he wants to go down with a fight here, but that agility is way too good on his friend's half, and he's off already, delving down deeper into their proposed tunnel spelunking. Total freaking hit and run.
He doesn't let him get too far ahead, either, and it's hard to shake the feeling that he's always running after him, but he doesn't let that get to him either, and soon enough, he's at his side. Loyal, to a fault, puppyish in all his ridiculous mannerisms. He loves Akira a lot, too, in his own way. In an ineffable sort of way that's hard to give any form to. This is Ryuji, after all- he met Akira and accepted that he was going to die in Kamoshida's palace if it meant getting a total stranger to safety, and it's just continued outward that way. He doesn't really care what happens to him, but shit, there's caves to explore and when Akira flashes that little streak of provocative deviousness, he can't stop himself either. Ann will have to pick up after these rowdy boys and come claim her two idiots. That's how it's been, that's how it'll always be, right?]
WHOA. Hey. Wait up. [He clicks on the magic and now his footprints are illuminated by yellow marks on the ground.
FINALLY... something useful.]
Yeah? Yeah? Whatcha think? Too flashy? Nah, forget it, it's right up your alley. [And onward, deep into the abyss.]
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[that response comes with a cheeky grin and a wink before Akira takes off. as ever, leave it to him to make sure that Ryuji isn't standing in the embarrassed cold by himself. who doesn't love an American subtitled romantic comedy from time to time!1]
[all that said, Akira doesn't let himself to pull too far ahead of Ryuji, either. instead, he slows to a leisurely walk to allow his best friend to close the distance between them when it looks like he might accidentally be leaving him behind. the yellow footprints practically glow in the darkness, and his expression lights up, both amused and impressed all in one]
Ooooh, clever, Ryuji. [does Joker even know what "too flashy" means? and anyway, at least this way they won't get lost] It's perfect. You're perfect.
[that. . . last part kind of comes out on automatic, pushed into the open by feelings that-- due to recent events-- have been drawn too close to the surface. he's quick to turn away afterwards, to clear his throat and gesture towards the tunnely abyss that lies ahead]